Secret language of trees

Alt text: Central white area containing a grey-green branching structure bordered by near-black edges

Detailed description:

Secret language of trees

Acrylic on canvas, 30 × 40 cm.

The painting is composed of shades of white, blue, dark blue, grey-green, and near-black.

A large, rectangular white area occupies most of the canvas's central area. It is bordered by darker near-black paint along the outer edges of the painting.

Across the white area, an irregular branching structure is painted in grey-green and dark blue tones. The form consists of interconnected, rounded, and elongated shapes with uneven edges.

Several vertical blue brushstrokes appear behind and alongside this structure, creating layered, overlapping forms.

In the lower-right part of the composition, a thick blue brushstroke extends horizontally along the base of the white area.

Small irregular white gaps remain between the darker shapes, allowing the background to appear through the network of forms.

He pushed upward, uphill, again and again. Summer, autumn, spring — always uphill. If only once it could be downhill. Why couldn't winter, for instance, just come on its own, without all this effort? Why must I always push?

And what if I let go — will it crush me? Will it freeze in place? Is it time?

He let go.

In November, the roses bloomed, and the wild briar too. Ah, that’s how it works.